Christian Music: A Tool for Life
The Lutheran denomination as a whole has a long-standing history of excellent teaching and fine music. I offer no opinion as to exactly what constitutes the best, but rather have some thoughts about the impact created in worship relationally between the two, and following from that the significance they have in the development of our faith, progressing then to how the impact music and worship as a whole have upon our everyday lives.
- How does music impact worship, and how does music change our memory of a worship event?
- Does music combined with words create a faith experience more profound than words are able to do on their own?
- How then does a music and faith worship experience change our day-to-day journey through life?
If you do now or have had a relationship with young children, when experiencing them in an environment in which they are comfortable it is not that uncommon to hear singing. It may be a familiar nursery rhyme sung to the related tune or a sing-song melody as with speaking on pitch, but children as a matter of course enjoy relating what they know musically. I recall my children performing very common tasks and at the same time verbalizing the activities to a melody known only to them.
We don’t hear as much about it nowadays, but I think there are young people still being encouraged to keep silent during group singing even though we know that with the correct training virtually no one need be called “tone deaf.” As a musician I am still told by men and women that in their youth a teacher told them to take up an instrument and be silent during group singing. I always encouraged all to sing in church, for it is the music which is within the soul that God hears. I find such sounds accompanied by the deep emotions of the heart exquisitely pleasing.
Our first encounter with music in the Holy Bible is in the Old Testament, the most familiar, of course, being contained in the Psalms. Every feeling, experience and emotion can be found here, and with this sounding out of life events we should never wonder whether it is correct to share with God the depths of our feelings whatever they may be. Peaceful contentment to excruciatingly painful anguish are contained within this book: anger, rejection, heartbreak, desire, longing and love—all of these and more make the Psalms timeless in their relevance to life experience.
The Psalms, however, are not the only book of the Old Testament where music is found. Doing a simple biblical concordance search using the word “song”, I see the first entry is Exodus 15:1, the successful crossing of the Israelites out of Egypt with the parting of the Red Sea. A popular praise song I learned in the 1970s had a rousing melody and beat—straight from the Bible, I would sing this song learned during worship all the coming week with gusto as I went about my daily chores. (The Horse and Rider: Music © 1950 by Mills Music; Words & Music: Anonymous, I. Miron & J. Grossman …www.tug.org)
There are also the grand oratorios of old, now not done much if at all in contemporary worship settings. These have a high amount of drama and excellent music presentation that should not be discounted, especially by churches with larger choral capabilities. I am thinking particularly about Mendelssohn’s Elijah. I participated in performances of this work when just out of high school, and now over thirty years later I can still hear the music while at the same time getting a visual image in my mind of Elijah urging the people to call out to Baal, of his chariot taking him to Heaven, and of God’s comfort in the soothing “Cast Thy Burden Upon the Lord.”
Another oratorio far more familiar is The Messiah written by Georg Friedrich Handel. The Hallelujah Chorus alone can now be found printed in many hymnals, and has been adapted for playing by nearly any instrument at any ability level. Other pieces from this work have been simplified for choirs of limited capabilities as far as skill and time to learn the music. It may seem to many that the Hallelujah Chorus is the epitome of sacred music, but for me I find the Amen fugue at the end of the work just as, if not a more exhilarating experience.
Whether written 400+ years ago or a newly composed praise song, words contain what are of greatest importance as measured by relevancy and theological soundness. Even so, what will carry the impact in memory is the correct well-crafted tune married to the correct text. When tune and text come together in excellent harmony there is no stopping the impact a song can have upon the life journey of those with whom it comes into contact.
One of the best-known examples of this will be the hymn, “Just As I Am” used by the Evangelist Billy Graham during his rallies as the call to commitment song. Would Reverend Graham have been as successful without this song? The answer is we don’t know. What we do know is that now Christians and non-Christians alike are very familiar with it through continuous exposure over time, and that the marriage of tune and text is one that has worked very well for the purpose intended. I can tell my readers that I have witnessed other songs used with varied success, but none as effectively as this one—married with the message of God as spoken by Billy Graham.
What I am suggesting here, where I am going with my thoughts, is to encourage those who speak for Christ—whether Pastor, Evangelist, Theologian, or Christian Leader—is to not discount the impact music may have on your message. It is a highly effective tool—not in itself, but when joined with words that solidify what you want people to carry with them as they go on their way through life. There is a reason why Dwight L. Moody traveled with Ira Sankey, his hymnwriter. There is a reason why the Wesley Brothers wrote hymns to accompany their messages. Isaac Watts turned Psalms and Scripture into hymn, changing for all time Christian worship music.
Martin Luther knew the hymn’s importance and we have fourteen he wrote of which A Mighty Fortress (Ein feste Burg) is still used today by multiple denominations. J.S. Bach wrote a cantata for every Sunday of the church year, bringing home the biblical texts appointed for the day. Certainly, now as time through the centuries has progressed some hymns have fallen away, others stayed the same or evolved in some fashion, and new genres of Christian music have developed—and this is as it should be. Christian worship music is the music of the faithful people, and needs to speak to them when and where they are at in time.
On this point I take a different position than some in regard to the style of the music used, for I am not a traditionalist or purist, nor do I insist upon any one rule for all to follow. I believe that music and text need to be relevant to the group using it, theologically sound, relational to its purpose, and well-done in performance. (Please note that I use the word “performance” not in the theatrical sense but instead defined as a work used by a single person or group and relayed to other people.)
In order for clergy to achieve a good effect of the message:music-as-a-tool relationship there needs to be excellent communication between him- or herself and music leaders. Secondly, there must be time to formulate both the message/sermon/homily and the music. It takes approximately the same amount of time to prepare well-planned and executed music as it does to prepare a sermon, sometimes through physical practice and sometimes through study and practice. Too often I have experienced and heard from fellow musicians about how the pastor wants to choose the hymns and doesn’t do it before Friday, or doesn’t have the text/theme of the message ready before then either. If this is the policy to be in place, then there should never be a complaint about what happens with the music two days later on Sunday.
Clergy without a good musical background will do well for themselves to have available either a trained church musician on staff or as a resource. Again, there must be a good marriage between text and music. A hymn chosen for its words without musical consideration may fall flatter than a communion wafer in worship, up-to-and-including no one singing at all because the music doesn’t fit or is completely unsingable by the participants present. Here time can be your friend. Try out the hymn—sing it through. There may be alternative tunes, or there may be the perfect hymn in a different hymnal or songbook other than the one initially chosen that will work as well if not better.
Take as an example the hymn Amazing Grace, perhaps the best-known hymn of all time. The tune to which we sing it is named New Britain (variant), originally from the 1800s as found in the American hymn book, Southern Harmony, though the words were written in the 1700s. New Britain is a Common Meter tune, or 86.86. You can see how important the realtionship is between words and notes by singing Amazing Grace to different common meter hymn tunes such as O, For a Thousand Tongues to Sing (Azmon), While Shepherds Watched Their Flocks (Christmas) or O God, Our Help in Ages Past (St. Anne).
Tradition, location, denominational affiliation—all three of these and more factor into the right tune with the right text when using hymns. With praise songs time will tell as to their survival and with what will be the best music to use when singing. Generally speaking, time eventually demonstrates what is relevant for the ages and what is relevant for the moment. I would even venture to state that music that has stood the test of time, as far as western Christianity and in particular Protestant Christians, is an important element among those that binds all Christians together in unity over the centuries, and at least since the Reformation.
It is also important to note the importance of the reverse relationship between the hymn and the message. Just as the hymn and praise song can enhance the memorability of the message given during worship, the message can impact the words of the hymn in such a way as to make them relational to the lives of listeners in a very meaningful way. A hymn that might otherwise have been sung through in a dutiful manner becomes a hymn that is thought about, prayed and remembered for its impact—stored away until brought forth by the Holy Spirit at the right time and place to witness or when needed for encouragement.
Then next question is whether music and text together create a faith experience beyond words alone? Here it would not be prudent to say always, but certainly there is no doubt that the two elements together have impact.
The first point are those hymns that are so familiar to everyone as to be included in many hymnals in their original form without editing—even by those who feel it important to change words for gender or era.
The second point is the relationship between some hymns and event-of-use. For example (not including church year/holiday hymns) I offer those hymns still in current frequent use as well older but not-as-old for funerals: How Great Thou Art, What a Friend We Have in Jesus, On Eagle’s Wings (Joncas), Because He Lives (Gaither), Amazing Grace, etc.
A third point are the hymns related to daily life that come to mind when triggered by a scene or event (a memory mnemonic). For example, more often than not when I look out my window either at home, work, or while driving, the hymn “How Great Thou Art” comes into my mind. One I often think of in the morning is “Holy, Holy, Holy,” and when our children were young “Jesus Loves Me” was sung frequently. I can also point out that I use hymns and praise songs daily during my devotions and prayer time. When my friend’s husband was soon to go home to be with Jesus we sang hymns to him and could see that he was listening.
This third point, hymn and music related to everyday life, is very subjective. I doubt that any two Christians will give the same response as to which songs are important to them. That being said, I hope my point in regard to the importance of music in a Christian’s life, in this instance the source being the Word and worship setting, has been made. It follows an historic tradition back into the biblical times of the Old Testament. People of God express their faith through song, and through this song the depth of God in their lives. For as children of God we are to be filled with the Holy Spirit until through every part of our being is contained fully with His love—not only in this life, but in even a greater way when we join with the angels beautiful music in Heaven, praising our Saviour and Lord for eternity.
In conclusion we might see the Word and music coming full circle: God’s Word comes to us through Scripture and teaching. The message through teaching can be given greater emphasis (a memory mnemonic) through a good marriage of tune and text in theologically sound related material, especially when coordinated with worship leaders and well done. The texts of hymns and praise songs in turn are given greater impact because of the related teaching, having an impact upon the faith of believers—a tool for growth and a help in everyday life. Hymns used as devotional material and prayer return to God when prayed and sung in everyday life events.
Angels All Around
And he shall send his angels with a great sound of a trumpet,
and they shall gather together his elect from the four winds,
from one end of heaven to the other. … Matthew 24:31 KJV
See the King on His throne
Light and peace from Him flow
All around Him angels sing
“Glory to the Saviour King!”
Will they show me how to fly
Let me join them in the sky?
Will they see my tears of joy
When I cry out, “Holy! Lord!”
Now it’s time, here they come
Angels sent to guide me us home
All around angels sing
“Praises to our Saviour King!”
Will they show me how to fly
Let me join them in the sky?
Will they see my tears of joy
When I cry out, “Holy! Lord!”
Kneeling now before His throne
Thanking Jesus for His love
Then His angels lift me high
Let me join them in the sky!
“Alleluia!” is my song
Praising Jesus all day long!
Now forever I will be
With my Saviour ever free!